“Distinctly cinematic and wide-ranging”

Time is the measurement of change, and where there is no change there is no time, it ceases to exist.






Qualia Tableau, from San Ré, shipping now in the following formats:

︎ Limited edition double-disc vinyl
︎ Limited edition cassette tape
︎ Order here
︎ Digital and streaming

︎ Listen on Apple Music
︎ Listen on Spotify

Full length video for The Fix

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Credits:

→ All songs written and produced in Amsterdam by San Ré.
→ Mixed in Crich England by Ben Hirst at Soundgas Studio.
→ Mastered in London by Christian Wright at Abbey Road Studios.
→ Light is a Train lyrics and vocals by Taco Stuiver.
→ No Ditto and The Fix lyrics and vocals by San Ré.
→ The Fix (Jimbo Techno Jazz Remix) produced by Ben Hirst at Soundgas Studio, composed by San Ré, Ben Hirst, James Walker, Tom Hendrick.
→ Artwork by Geraldine MacDonald.

Take out the light, the EP from San Ré, leads off with Acquainted, a thumping reflection of relationships best kept at a distance, and is underpinned by disconcerting ambience while buoyed by floating arpeggios. The playful Say Something features syncopated jazz beats beneath spirited chords within a club-like atmosphere. The third track, ‘Oumuamua, inhabits an otherworldly atmosphere, pondering the presence of ancient alien spacecrafts within our star system. Absurd is an angsty and bitter recall of a formative early memory, followed by Scramble, a melancholic meditation on alienation and isolation. The EP is concluded by Reacquainted (Germanium Insanium Jazz Mix), an upbeat interpretation of Acquainted featuring multiple artists and an exuberant vocal sample from San Ré.




→ All songs written, recorded and produced in Amsterdam by San Ré, except Reacquainted (Germanium Insanium Jazz Mix) composed by San Ré, Ben Hirst, James Walker, Will Bateman and Gary Maggs, produced by Ben Hirst at Soundgas Studio, vocals by San Ré.
→ Mixed in Crich England by Ben Hirst at Soundgas Studio.
→ Mastered in London by Christian Wright at Abbey Road Studios.
→ Absurd lyrics and vocals by San Ré.
→ Artwork by San Ré.

Winner of the Special Jury Award for Creative Technology at the 2022 International Documentary Film Festival Amsterdam, His Name Is My Name is an Instagram-based animated documentary series from JONGSMA + O’NEILL that explores how the crimes of WWII-era perpetrators still reverberate through today’s society, shaking the foundations of our homes and our families. Part detective thriller and part personal visual essay, His Name Is My Name tracks Eline Jongsma’s investigation into her family’s history, and shines a light into a still-dark corner of Europe’s past.

The documentary series is one of three artworks for the project Houses of Darkness and will also have a place in the exhibition The Memory of Camp Westerbork, in the museum of Remembrance Centre Camp Westerbork in The Netherlands.
Featured in The Guardian, Vanity Fair, VICE, and nominated at the 2022 IDFA. Watch the film and learn more on Instagram at @hisnamemyname.

All album proceeds go to Doctors Without Borders/Médecins Sans Frontières (MSF), a non-profit medical and humanitarian charity that cares for people affected by conflict, disease outbreaks, natural and human-made disasters, and exclusion from health care in more than 70 countries.

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Credits:


Written and directed by Kel O’Neill and Eline Jongsma
Director of animation: Jure Brglez
Interaction design: Imagination of Things (Monique Grimord & Vitor Freire)
Sound design: Arnaud Traa
Composer: San Ré
Project manager: Sofia Mourato

Produced in collaboration with Paradox
Founder/director: Bas Vroege
Project manager: Ana Zibelnik

Original soundtrack produced & mixed by San Ré in Amsterdam.

Length of piece: 33 minutes
Format: audio/video, AR, images

This project is made possible by generous funding from the Mondriaan Fund, The Creative Europe Programme, DutchCulture, the Province of Drenthe, and the Herinneringscentrum Kamp Westerbork.

Acquiesce, the debut EP from San Ré, is a richly textured and angsty exploration of relinquishing control in an absurd cosmos where chaos reigns supreme.

Acquiesce leads off with Also Surreal, a raw and aggressive industrial EBM / techno track, followed by Lunar FOB which imagines a near future in which Earth’s moon is being colonized and mined by “world powers” competing for control. Draw Me a Cat is a lament for a lost friend, for lost childhood friendships and for their fading memories, and is followed by Flutter, a richly textured, contemplative track with undulating synth bass beneath syncopated beats and percussion. Acquiesce is concluded by Turtle Hill, a sentimental and nostalgic homage to a particular space and time of transformational physical and spiritual healing and rebirth.






→ Produced and mixed in Amsterdam by San Ré
→ Mastered in London by Jon Astley 
→ Cover art by San Ré

It’s a Long Way Back to Sunset, the debut EP from Daze Gates, was made during a time in which the artist battled severe and sustained insomnia and acute accompanying delirium. Each track attempts to capture the varying stages of delirium experienced. Ambient soundscapes dance around heavy synth atmospheres, encapsulating a range of styles including minimal electro and house to industrial EBM. The limited edition cassette tape is arranged in such a way that it flows seamlessly from start to finish, with no breaks between tracks on side A, and with side B including prolonged, and arguably disturbing, ambience that is not included in the digital release. Each copy of the cassette tape includes a physical component that eludes to the struggles faced during this period of insomnia and delirium.

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Credits

→ Produced in Glasgow by Daze Gates.
→ Mixed in Amsterdam by Ben Evolo.
→ Mastered in London by Jon Astley.
→ Cover art by Ben Evolo.